Buscofokus

Buscofen’s product range expands with the launch of Buscofokus, Agenzia Publicis and Groenlandia’s new advert directed by Bonasia and Narcisi. The ad, which targets the young female demographic, features a series of images with a strong visual impact inspired by the world of fashion and is thus characterized by beautiful visuals that make it a memorable and unique commercial. An engrossing and glamorous film for a young audience in tune with current trends.

AGENCY: Publicis Italia
DOP: Michele Branstetter
POST PRODUCTION: Prodigious

Disney +

DOP: Vladan Radovic
EDITOR: Gianni Vezzosi
SET DESIGNER: Chiara Balducci
MUA: Anna Fontana
EXECUTIVE PRODUCER: Leonardo Godano
PRODUCER: Cecilia Passa
COLOR & MIX: InHouse Post
VFX: EDI – Effetti Digitali Italiani

AGENCY: Naïve
Creative director Patrizio Marini
Copywriter Fabrizio Blini – Martha Ter Horst
Art Director Agnese Pagliarini
Client Director Antonio Cannatello

Laura Pausini – Io sì

Groenlandia for Publicis and Netflix with Sophia Loren.

Sarah. La ragazza di Avetrana

Nell’agosto del 2010 in Salento una giovane scompare. È Sarah Scazzi. L’Italia intera rimane sconvolta. Molte le ipotesi che si alterneranno durante i quarantadue giorni di ricerca. Ipotesi che sveleranno segreti e rancori, arrivando a costruire un incredibile reality show dell’orrore e del grottesco. Avetrana, il paese dove tutto si svolge, ne sarà un vero set a cielo aperto.

Sarah. La ragazza di Avetrana è la nuova docu-serie Sky Original prodotta da Groenlandia e tratta dall’omonimo libro scritto da Flavia Piccinni e Carmine Gazzanni (Fandango Libri, 2020) che, in quattro puntate, ricostruisce tutta la vicenda non solo dal punto di vista giudiziario ma anche mediatico, concentrandosi sulla sua spettacolarizzazione.

Su Sky Documentaries dal 23 novembre alle 21.15, disponibile anche on demand e in streaming su NOW, la serie cerca di spiegare come Avetrana rappresenti il caso che più di ogni altro ha canalizzato l’attenzione mediatica creando un vero e proprio circo per il quale non interessava più la ricerca della verità, quanto sviscerare tutti gli aspetti più morbosi. Il punto di non ritorno è rappresentato da quanto accadde in diretta tv quando Concetta Serrano, madre di Sarah, venne a sapere che la figlia non era in realtà scomparsa e che lo zio Michele Misseri aveva fatto ritrovare il suo corpo senza vita.

Da allora l’attenzione su Avetrana divenne spasmodica, tanto che tutte le persone coinvolte diventarono personaggi televisivi. Anche i passanti, gli abitanti, i vicini di casa e tutta la comunità avetranese divennero protagonisti di uno show dell’orrore.
Il documentario, per la prima volta partendo da Avetrana, pone un interrogativo che tocca tutti i casi di cronaca diventati mediatici: quanto può influire un racconto che insegue il macabro e il morboso nella ricerca della verità? Quanto può influire una narrazione così “inquinata” anche nelle indagini giudiziarie? Eppure è possibile che, senza quel peso mediatico, ancora oggi Michele Misseri non avrebbe fatto ritrovare il corpo di Sarah.

Scritto da Flavia Piccinni, Carmine Gazzanni, Matteo Billi e Christian Letruria, per la regia di Christian Letruria, Sarah. La ragazza di Avetrana è una riflessione su un caso che ha ancora molti coni d’ombra e, nonostante tre sentenze abbiano messo un punto sulla vicenda giudiziaria dell’omicidio di Sarah Scazzi, qualcuno sta ancora lottando per affermare un’altra verità. Come Franco Coppi, avvocato di Sabrina Misseri, condannata all’ergastolo insieme a Cosima, che ha fatto ricorso alla Corte europea dei diritti dell’uomo.
Tra gli intervistati della serie anche il fioraio di Avetrana, testimone chiave del processo, che per la prima volta dopo dieci anni, torna a raccontare la sua versione dei fatti.

Rose island

Giorgio, a gifted yet misunderstood engineer has hit rock bottom – he’s been fired from his job, his parents won’t speak to him, and the love of his life has ditched him after he accidentally gets them both arrested (long story…). Sick of the stuffy rules of Italian society of the late 60s, Giorgio hatches an impossible plan; he will build his own island in the middle of the sea.

Joined by a team of revolutionaries and outcasts, the Republic of Rose Island is founded, independence is declared and Giorgio is appointed President. However, team values and resilience are tested, as the Italian Prime Minister decides Giorgio’s idealistic island is Italy’s Enemy Number One.

Directed by Sydney Sibilia (The Smetto Quando Voglio trilogy) and produced by Grøenlandia (The First King ), ROSE ISLAND is a hilarious drama with a rebellious heart and is based on the incredible true story.

Screenplay by Sydney Sibilia and Francesca Manieri

RELEASE DATE: November 9, 2020

Shadows

Alma and Alex are two teenage sisters who spend their days hiding inside an old, abandoned hotel in the dark woods. They live with their Mother, a stern woman who protects them from the mysterious dangers of the outside world.

As they grow up, the two girls develop a new awareness that will make them break the rules and offset the apparent balance of their lives, revealing, disturbing secret.

Screenplay by Fabio Mollo, Damiano Brue’, Vanessa Picciarelli, Tiziana Triana

RELEASE DATE: November 19, 2020

The Beast

Leonida Riva (Fabrizio Gifuni) is a gloomy and solitary war veteran, once Captain of the Army’s special forces. Life and work have driven Riva further and further apart from his family. His eldest son, Mattia, never forgave him while his daughter, Teresa, loves him unconditionally. However, a tragic event will force Leonida to transform into something he thought he had long buried in the past.

A high-tension emotional story which merges feeling and action in a crescendo which will lead a man to transform, out of love, into a true public enemy.

Screenplay by Claudia De Angelis, Ludovico Di Martino and Nicola Ravera

RELEASE DATE: November 27, 2020

Monsters with no name

It is a crime series, soon to be broadcast on the Crime Investigation channel (Sky119), which sheds light on the most important Roman cold cases, unsolved crimes, which in the 90’s and early 2000’s, have made the front pages of newspapers and have now become real mysteries.

Mysteries which, thanks to new technologies the investigators’ disposal, could be solved to bring justice to the families of the victims, who have been involved in all sorts of disputes and hoping to find out the truth.

The series will specifically cover homicides, interviewing the eyewitnesses and witnesses which have now become part of the stories: relatives, investigators, lawyers and journalists. There will also be a focus on the district in which the crime took place since in cities like Rome the exact coordinates often reveal more than one could expect.

For each story there will be a historical and social examination carried out through archive and testimonies.
The narrator, Filippo Nigro, will be in charge of holding the story together, underlining key passages, in order to actively convey a noir feel atmosphere.

GENRE: Factual TV
FORMAT: 4X50′

Romulus – Documentary

This documentary peaks behind the scenes of how a series is developed and how the producers go about transforming an idea into a quality product. The interviews to the Cattleya and Groenlandia producers as well as with the directors, Matteo Rovere, showrunner of the series, Michele Alhaique and Enrico Maria Artale will be key to appreciate different yet interchangeable visual crafts.

GENRE: Doc

Romulus

A journey through history, legend and revolution, the epic tale of the birth of Rome in the series created by Matteo Rovere. Two cities meticulously rebuilt on the basis of documented historical research, thousands of extras, over 700 stunts and hundreds of weapons reproduced for the series, Romulus, set in 800 B.C. in a primitive and brutal world in which everyone’s destiny is dictated by the relentless forces of nature and the gods.

Screenplay by Filippo Gravino, Guido Iuculano, Matteo Rovere

FORMAT: 10×50′

RELEASE DATE: November 6, 2020

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