Brazil and Italy: two countries, one single journey in search of Aldair, known as “Goofy” by the fans, the silent champion who became one of the greatest symbols of AS Roma in the 21st century.

Following in his footsteps, Roman writer and Roma supporter Sandro Bonvissuto lives experiences, crosses continents and memories, and brings together a story about the man behind the sporting legend: the invisible bond that connects those who love, suffer, and believe in something greater than themselves.

All of this, of course, alongside Aldair himself — the essential compass guiding this journey. A unique duo that tells the story of a generation, an era, a city, and a team.

We are in April 1887: Enrico has become a Member of Parliament, frequently travelling back and forth between Rome and Turin with Teresa, and he has managed to bring Lidia’s law before the parliamentary committee. Lidia is impatient, but she knows she must trust her brother while she continues seeing Fourneau — although, of course, she has no intention of becoming emotionally attached, getting married, or making their relationship public.

He has been promoted at work and is now serving at the Court of Assizes. His opportunity to prove his worth is the prosecution of a woman accused of murdering her husband. The problem is that the defendant is Lidia’s closest friend, Grazia Fontana, whose trial for self-defence will shake public opinion and challenge their relationships.

Jacopo, returning to Turin with his new partner, decides to stay in the city to cover the most high-profile and controversial trial of the time, a case that will put Lidia and Fourneau on opposing sides.

Proving that an abused wife killed in self-defence is a monumental challenge — a perfect case for Lidia: will she manage to convince an all-male jury to acquit Grazia Fontana, arguing that the true crime lies in the violence that was inflicted upon her and that she endured?

And when it comes to love, will she continue to believe that Fourneau is the right man for her, or will she find the courage to finally embrace the relationship with Jacopo that she has always denied herself?

Is it possible to restore balance between men and women? And if politics cannot make a difference, when society stands in our way, can we at least achieve it in our own lives?

The Law According to Lidia Poët once again ignites a spark of hope.

Directed by Simone Godano
Executive Producers – Grøenlandia: Leonardo Godano, Barbara Brown, Cecilia Passa
Casting – Sara Casani
Director of Photography – Valerio Azzali
Production Design – Valeria Zamagni
Costume Design – Alessandra Trippetta
Make-up – Beatrice Leucadito
Production Sound Mixer – Bertrand Chaumeton
Editing – Francesco Loffredo
Sound Design & Audio Mix – Matteo Bendinelli
Color Grading – Rosario Balistreri
Post Production House – Artificio
Assistant Director – Vincenzo Rosa
Producer – Paolo Gentilella
Production Manager – Leonardo Spadini

Coordinator – Mirta Ermini
Post Producer – Giovanna Ventura
Radio Voiceover – Francesco Pannofino
Dubbing Studio – VoxFarm

Client: Telethon

Direction – William9
Executive Producers – Leonardo Godano and Cecilia Passa
Director of Photography – Matteo Rea
Assistant Director – Paolo Gentilella
Production Manager – Leonardo Spadini
Costume Design – Valentina Stefani
Make-up & Hair – Beatrice Leucadito
Editing & VFX – SEDICI:9

Director: Justin Reardon

Client: Fernet Branca

Producer: Grøenlandia – Barbara Brown, Leonardo Godano

Agency: LePub Milano

Arturo (Luca Argentero), Elena (Giulia Michelini), and Blu (Caterina Forza) have lost almost everything in their lives, yet one thing still ignites them: their love for cars and adrenaline. Elena, scion of the Dionisi family and owner of a famous racing team, must reclaim her role in the family business, now in her brother’s hands; she hires Blu, a hot-headed young talent with a fatal attraction to speed, and Arturo, a legendary former driver who retired after a tragic accident, to train her. Each of them has a reason to race faster than the others.

Motorvalley tells the story of their journey through one of the most thrilling automotive competitions: the Italian Gran Turismo (GT) Championship, where cars and racing are not just a shared passion, but a matter of life—or death.

Since television entered Italian homes, many things have changed: the way they speak, write, look, what they desire and even what they dream. Laura is a girl who is fascinated (as many were in 1957) by the power of TV, she passed the competitive selection for a job as a secretary in RAI against her father’s will. She would do anything to be part of that extraordinary world. Carosello is her first and only love. Laura loves everything that this program represents: the products it promotes and the models for happiness it presents. Determined and reliable, she dreams of a life like one she sees on the screen, with bright and glossy colors. 

For Mario, on the other hand, the TV is an appliance like any other, a household appliance. Creative and very talented, he works as a director for Carosello from its first shooting day but his dream is cinema, he is only there in passing. Laura sees Mario as an intellectual snob and a player and he, in turn, thinks that Laura is a naive girl, one of the many who are fooled by false myths and fantasies. At first there are sparks between the two – she is dreamy yet determined, he is ironic and a show off – but as the years pass, the iconic years in the history of Carosello, things change and hostility turns into respect, and respect turns into affection, affection into attraction and attraction, well, after twenty years and so many mistakes on both ends, it could finally become love.

80 Minutes is the length of every rugby match — 80 real, hard-fought minutes, earned one after another, meter by meter. Ones to remember.

Nino heads to the earthquake region of Abruzzo to surprise his mother, Azzurra, on her birthday. Once there, he meets Malatesta, a boy his age who works at the hotel. When the earth begins to shake, the relationships between the three start unraveling.